 Artist: Jean-Luc Ponty: mp3 download Genre(s): Jazz New Age Other Instrumental Discography:  The Very Best of Jean-Luc Ponty Year: 2002 Tracks: 15  Live at Chene Park (Live) Year: 1997 Tracks: 13  Live at Chene Park Year: 1996 Tracks: 13  Le Voyage: The Jean-Luc Ponty Anthology Year: 1996 Tracks: 32  Rite of Strings Year: 1995 Tracks: 9  No Absolute Time Year: 1993 Tracks: 10  Tchokola Year: 1991 Tracks: 10  Storytelling Year: 1989 Tracks: 9  The Gift of Time Year: 1987 Tracks: 8  Fables Year: 1985 Tracks: 7  Open Mind Year: 1984 Tracks: 6  Individual Choice Year: 1983 Tracks: 7  Mystical Adventures Year: 1982 Tracks: 10  Civilized Evil Year: 1980 Tracks: 8  Live Year: 1979 Tracks: 7  Cosmic Messenger Year: 1978 Tracks: 8  Enigmatic Ocean Year: 1977 Tracks: 11  Imaginary Voyage Year: 1976 Tracks: 9  Aurora Year: 1976 Tracks: 8  Upon the Wings of Music Year: 1975 Tracks: 8  King Kong Year: 1972 Tracks: 6  Jazz Long Playing Year: 1964 Tracks: 11  Live at Semper Opera Year: Tracks: 9  A Taste for Passion Year: Tracks: 9 It has been a long, riveting odyssey for Jean-Luc Ponty, world Health Organization started out as a straight jazz violinist only to become a open up of the electrical shrink from in jazz-rock in the '70s and an elysian manipulator of sequencers and synthesizers in the '80s. At get-go merely amplifying his violin in parliamentary law to be heard, he switched over to electric fiddle and augmented it with devices that were associated with electric guitarists and keyboardists, care Echoplex machines, aberration boxes, phase shifters, and wah-wah pedals. Classically trained, with an quenchless ability to swing when he wants to, and consumed by a warmth for nasty structures and repetition ostinatos, Ponty has been able to cover styles as divers as swing, boP, free and modal unused words, jazz-rock, reality music, and even country, admixture them up at volition. Starting in 1977, he as well pioneered the usage of a five-string galvanic play with a low C cosmic string. Undoubtedly, he rivals Stéphane Grappelli for the claim of the to the highest degree spectacular and influential European malarkey tinkerer. Ponty's father -- the theater director of the school of music in Avranches and a fiddle instructor as well -- got Jean-Luc started on fiddle at the eld of five, and his mother tutored him on piano. He left hand school at 13 in order to praxis six-spot hours a day in the hope of comme il faut a concert violinist. At 15, he was recognized into the Paris Conservatoire, at long last winning the prime Minister prix at eld 17. He played with the Concerts Lamoureux Orchestra for three years, during which time, thanks to the influence of Grappelli and Stuff Smith, he became interested in malarkey. Oddly sufficiency, Ponty began playing malarkey showtime on the clarinet and tenor adolphe Sax, wait until 1962 to apply it to the violin. After a hitch in the French Army (1962-1964), Ponty went entirely o'er to the jazz summer camp, leading quartets and trios in Europe, recording with Grappelli, Smith, and Svend Asmussen on Fiddle Summit, and visiting the U.S. for the first time in 1967 at a Monterey Jazz Festival shop. Enriching himself with various American experiences in 1969, Ponty recorded with Frank Zappa, linked the George Duke Trio, and upon his render to France, formed the free jazz Jean-Luc Ponty Experience (1970-1972) in front subsiding in the U.S. and rejoining Zappa's Mothers of Invention. He toured and recorded with the Mahavishnu Orchestra in 1974-1975 and so set out on his have, compilation a retentive series of solo albums on Atlantic that pulled away from the more than volcanic aspects of optical fusion toward a more lyrical, European, in time still exciting annexe of Mahavishnu's idioms. In 1983, after his records began to sound increasingly formulaic, Ponty switched gears and recharged his creative batteries on the synthesizer. Starting with the Private Choice album, he began constructing attractive revolving patterns of electronic sounds with the help of sequencers, producing backdrops for his violin that were elegantly indebted to Europop influences. He took this way with him when he signed with Columbia in 1987, but on 1991's Tchokola record album Ponty was on the move over again, throwing out the sequencers and recording with West African musicians wHO provided him with young ostinato patterns to play with. Ponty opened the 21st century with Life Enigma in 2001, following it with Live at Semper Opera that same year. A live Warsaw particular date from 1999 was released in 2004 as Jean-Luc Ponty in Concert. The Acatama Experience appeared in 2007. |
New band of the day - No 376: Kish Mauve
